![]() Good actors in smaller films like this tend to be up-and-coming, without much practice, and it can affect the movie. The actors are all relatively unknown, but they are great, which is another thing that pleasantly surprised me. There’s a great religious underpinning to this movie as well, as we follow Jessica through temptation, redemption, and rebirth. Shut In is advertised as a horror movie, but to me, it’s more of a thriller, even a psychological thriller. Soon, she is barricaded inside a pantry by her violent, drug-addled ex-boyfriend and must find a way not only to escape but to protect her children from the escalating danger. Shut In’s story follows Jessica (Rainey Qualley), a young single mom of two small kids, as she prepares her Nana’s house to be sold following her death. I was pleasantly surprised by how good it was, and I can’t wait to watch their future projects. Fortunately, Shut In does not fit any of those criticisms. A lot of times, movies like this tend to fall under the “B-movie” label, with bad CGI, cheesy lines, and terrible actors. ![]() I went into this movie both very excited and a little nervous, if I’m being honest. Something that doesn’t look or feel cheap with a good storyline and no unnecessary preaching about outside events that don’t fit into the plot.Īnd Shut In delivers. ![]() Now, while that may be a cause for concern (see any SyFy channel movie ever), Daily Wire is smart, and they know their audience is looking for films of quality that can compare with the high-budget Hollywood ones without all the projection and politics behind them. It’s one of a very small number of films that are being released outside of mainstream Hollywood. Watts deserves better, and so do you.The Daily Wire’s first original movie, Shut In, was released on Thursday, and it’s a pretty big deal. ![]() Careening camera angles and squeak-creak-crackle sound effects don’t substitute for actual tension, and high-end cinematography (by Yves Bélanger, who gave “Brooklyn” its swanky sheen) doesn’t replace imagination. Neither its director, Farren Blackburn, nor his screenwriter, Christina Hodson, could have believed that this bromidic nonsense would generate chills. So when one of her patients, a little deaf lad (Jacob Tremblay), goes missing and bumps in the night disturb her sleep, Mary wonders: Is there a ghost or is she bonkers?įilmed in rural Quebec and mostly confined to the interior of the house, “Shut In” is just that. Though living in a commodious - and, of course, isolated - New England home, Mary cares for Stephen without so much as a cleaning lady to help. Her 18-year-old stepson, Stephen (Charlie Heaton), once a psychologically disturbed ball of hate, is now vegetative and paralyzed after a car accident. Watts looks becomingly fragile and perpetually worried. Playing Mary, a recently widowed child psychologist, Ms. If you’re in any doubt as to the dearth of decent movie roles available to women of a certain age - certain never to see 40 again, at any rate - then buy a ticket for “Shut In.” In this achingly inept thriller, you will see Naomi Watts do what she can to sell a plot of such preposterousness that the derisory laughter around me began barely 20 minutes in.
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